It’s “middle grade” literature, which is ridiculous. Hardinge writes more than suitably for adults, but these are also stories that you can hand to a young reader without cringy embarrassment for your book tastes. Young age of her characters does not detract from the high level of clever complexity, but does - thank all the literary deities - end up romance-proof, which at least to me is a welcome reprieve of the easy storytelling trends that lets us because they sell. This book is carried on the strength of its story, not on the whiff of hormones, and it’s wonderful. Even if you didn’t dwell on the past, however, sometimes the past dwelt on you. Sometimes it remembered you and came after you for revenge.” Unraveller feels like a true fairytale, there may be wondrous creatures and mysterious forest settings, but there's also a Marsh Horse that may eat you and definitely a solid chance of being turned into a harp, a bat or a ship if you get on someone's bad side. It's very funny throughout, but balances that out with themes of grief, fear and rage.

But I will be thinking about this story for a long time. It had so many unique and endearing characters, the setting of the Wilds was exceptionally magical and I loved Nettle and Kellen’s growth throughout the novel. I like sinking into a Hardinge book knowing absolutely nothing. Not even reading the flap copy. It makes for a uniquely rewarding experience. And, to my delight, I discovered that this particular book was attempting something wholly original. At its heart, this is a detective novel. You have our two heroes, one the detective who can unravel each case they come across and other the moral compass that keeps him pointed north. You have evil on both a governmental level (always a topic Hardinge enjoys) and on a smaller more cult-like level. But through it all our two heroes are interviewing suspects, solving crimes, and trying to keep from getting gutted along the way. So much of the fun comes from watching Kellen gather the clues together to find the connecting (forgive me) thread. It’s not Agatha Christie but it ain’t half bad. Sometimes you catch on to what Kellen’s after before Nettle does, but most of the time you’re with her, floundering along in his wake.There's an overarching plot having to do with large, shadowy conspiracies (of course; this is Hardinge, after all), but the start of the story feels almost picaresque as Nettle and Kellen travel around unravelling curses. This is a job the impetuous Kellen is quite unsuited for, as a curse cannot be unravelled without identifying the curser and their motivation. That's where the cooler-headed and reserved Nettle comes in. Some of these episodes are fascinating and have the texture of folklore (Pale Mallow the bog-witch!), and many of the cursers are sympathetic - victims themselves who were given, unasked, the power to take revenge. Discovering the flaws in one’s society (large or small, country or village) is a huge and important part of growing up, and one that Hardinge explores and pokes at with questions and ideas. If anyone can do something wrong, or feel something wrong, and wind up an outcast, then what? What grace can the world learn to offer to the rejected and outcast and othered? What can be learned from anger, and what are its limitations? How do you know when anger is righteous and useful, and when it’s merely cruel? Can power that comes from anger and pain be used for good? When I wrote about Hardinge’s A Face Like Glass , I noted that her villains are rarely people, but broken societies that have stopped asking whether they can be fixed. Raddith is a society that largely doesn’t realize how broken it is. Her young protagonists are outcasts of a sort, but not the same kind of outcast as a curser. It is easy to assume, when you are young and naive or sheltered or have spent some time as a bird, that people who have been rejected by society have been treated this way for valid reasons.

The book features a depth of themes including but not limited to: victims, survivors, anger and hatred, trauma, therapy, cults, betrayal, domestic abuse, all under the guise of a stunning fantasy world with curses and the riveting and mysterious Wilds.

I expected nothing less from Frances Hardinge… Fairytale unique story, loveable characters, crazy imagination but also felt so interesting and addictive, those are all I got in “The Unraveller” Like so many Hardinge characters, Kellen and Nettle are primarily focused on survival; it’s the arrival of Gale, with his marsh horse and mysterious employer, that sets them on a different kind of adventure—one that asks very Hardinge-y questions about freedom and justice and wisdom and rage. Kellen is the title character, but Nettle is his equal, and Hardinge is very clear in how both their skillsets are valued, both their flaws painful and real. He acts and she observes, until a time comes that Nettle, too, has to act—because she’s learned so very much by watching, and by beginning to understand her human self again.

I loooved this world where hatred could make certain people develop a form of magic that could curse other people. The way the magic worked, what was done to them (or not), the firm the curses usually took ... it was rather wonderful (in a very dark and twisted way). Especially since it gave a unique perspective on greed, desire, revenge and the twisted forms love can take. Moss hung in great, green-grey swathes from the branches. Everywhere there was the cold, lush smell of the woods with its undercurrent of rot, its fierce green freshness and the scent of a thousand marsh flowers gaping their fat silken petals in the summer dark.The story itself follows Kellen, it's unruly protagonist, who has a rare and highly sought after gift. A gift that allows him to unravel (undo) the previously mentioned curses. We witness as he and his unusual companions, throw themselves deep into the unknown, in a bid to save those who have been cruelly jinxed and to bring down a unidentified enemy abetting those who curse. Of course, nothing is quite as it seems... Once again Frances Hardinge has delivered a story that's a little bit different and creepily atmospheric. Set in a world full of disagreeable magic and malicious curses, the plot is complex, multilayered and full of rich imaginings. It introduces us to a whole host of questionable characters. Those who curse, those who are cursed and anything and everything in between - think inventive supernatural creatures. You have of course heard that some people in Raddith are able to curse their enemies. It sounded so picturesque when you were reading about it at home, like a fairytale. Moreover, every person we meet was so unique. Some were infuriatingly self-righteous, some were true villains, others were victims of circumstances, there were unteachable idiots and cunning conspirators. In the middle of this varied group of people, we had two marvelously wonderful kids that had to grow up way to fast and are now trying to navigate heartbreak and danger without losing themselves in the middle of it all.