Fujifilm Fujicolor 200 Color Negative Film ISO 200, 35mm Size, 36 Exposure, CA-36

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Fuji are doing splendid work keeping us dedicated film photographers supplied with an excellent colour print film at a reasonable cost.

We’ll send you exciting photography interviews, crazy tips and tricks, competitions giveaways, and unmissable offers. This film is a medium speed daylight-balanced color negative film offering a vivid color palette with accurate skin tones and color reproduction in a variety of lighting conditions. That ISO 200 rating is good too, freeing you up to shoot in slightly worse light than you could with the Industrial 100, or any ISO 100 film for that matter. Camera Leica M3 Lens ZEISS Biogon T* ZM 35mm f2 Film Fujifilm C200 EI200 Development Tetenal Colortec C-41 Scanner Reflecta ProScan 10T Oooh, A Map!The 103 third parties who use cookies on this service do so for their purposes of displaying and measuring personalized ads, generating audience insights, and developing and improving products.

A trip to the gorgeous countryside around Yangshuo in southern China would be a good place to see the C200’s green reproduction too. London Camera Exchange Limited, London Camera Exchange Solent Limited and London Camera Exchange Portsmouth Limited are authorised and regulated by the Financial Conduct Authority, register numbers 742719, 761264, 789602 and act as a credit broker and not a lender. I’m a huge fan of the traditional “Fuji” look, so I’ve tried and shot a lot of their film, and this is hands down my favorite! Camera Centre UK Ltd trading as Camera Centre UK is a credit broker and is Authorised and Regulated by the Financial Conduct Authority.I hope that’s not the case as it would be a shame to lose the already sparse variety in pocket friendly colour film. However, we’re all special in our own way, and I think a case could be made for C200 actually being special too. A film that delivers high-quality colour renditions and moderate grain, Fujifilm C200 is forgiving with highlights and known for providing reliable results across different lighting situations. During the film era it was a fierce competition between Kodak and Fujifilm, but these days the situation is a bit different it seems… Leica M6 | MS-Optics 50mm 1.

To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film.In my experience, C200 gives you the Fuji greens and reds in heaps, along with a lower grain and clearer image than Superia has given me. Overall, I have to say the image quality and qualities were everything I could ask for and more from a budget, general use, average film. Of course that means it’s not as versatile as the Industrial 400, but that doesn’t matter too much for me.

This product is available in an ISO speed of 200 sensitivity, providing everything from versatility and highly flexible film with enhanced color reproduction to sharpness and smooth, fine grain. It’s a trend I did my bit to keep going, with these JCH Pan 400 street shots and these CineStill 800T neon signs. PhotoBite is a team of photographers, filmmakers, photo-journalists and tech geeks with the intention to inform and inspire, providing a pathway through the creative process and ultimately furnishing image-makers with the information, knowledge and tools needed for their creative journey, be that 1 or 24 frames per second. Finally, that aforementioned wide exposure latitude is a good safety net should the light really be too bright or dim, and the film has good enough dynamic range to render light and dark areas well in the same shot, as you can see with the fish market and pigs shots below. If the positivity makes you want to grab some Fujicolor C200 / 200 for yourself, you’re not going to find it hard to track down.Since 1976, we have developed literally millions of rolls of film with experienced lab professionals and film enthusiasts. I think a good place to test this out would be a sunny day at the beach, with the strong light and bright sands giving the film the perfect excuse if it couldn’t handle it. This will be enforced by the warehouse team - apologies in advance for any inconvenience, this will be lifted as soon as the global supply chain settles down. Even if something did somehow go wrong and you lost your shots, dispiriting as that would be, at least you haven’t also wasted an expensive Ektachrome E100 or rare discontinued Fujicolor Natura 1600, for example. I used the inboard lightmeter inside the F3T since it’s a little more recent than the one in my F3 and carried the exposure settings across the second camera.