You can prevent the setting of cookies by adjusting the settings on your browser (see your browser Help for how to do this). I feel this makes the sketchbook seem very personal despite the drawings being so well planned and executed, themselves like finished artwork. Where you elect to do so, you accept that you grant to us a non-exclusive, royalty-free licence (at our sole discretion) to publish and use all such content (or any part of it, which may be edited, cropped or otherwise modified by us at our discretion) in any way and at any time on the site. For these to work the following social media sites including; Facebook, Twitter, will set cookies through our site which may be used to enhance your profile on their site or contribute to the data they hold for various purposes outlined in their respective privacy policies.

In addition, you warrant that the copyright and other intellectual property rights in such content belong to you and that the publication by us of such material by us on the site will not be unlawful or infringe the rights of any third party. I think my attitude towards the sketchbook originates from when my grandmother gave me a little stack of very cheap notebooks.Antenne Books began by working with publishers Aki Books, Hassla, Nieves, Seems and The Institute of Social Hypocrisy, introducing retailers to publications that had, until then, rarely been available in Europe.

For security, and to protect your privacy, we will take reasonable steps to verify your identity before granting access or making corrections.At art college we were indoctrinated with the notion that sketchbooks were a central plank of being an artist. Your statutory rights shall remain unaffected by these Terms and Conditions, and except in accordance with these Terms and Conditions all purchases are non-exchangeable, non-refundable and non-transferable. Hopefully that has clarified things for you and as was previously mentioned if there is something that you aren’t sure whether you need or not it’s usually safer to leave cookies enabled in case it does interact with one of the features you use on our site. When I managed to set up my first ceramic studio, in 1986, all my creative energy became focused on clay. The density of thought, the love of art and the sheer number of man-hours in each one load them with huge meaning and memory for me.