The Decency Code: The Leader's Path to Building Integrity and Trust (BUSINESS BOOKS)

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The Decency Code: The Leader's Path to Building Integrity and Trust (BUSINESS BOOKS)

The Decency Code: The Leader's Path to Building Integrity and Trust (BUSINESS BOOKS)

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While Joy declared Dracula "quite satisfactory from the standpoint of the Code" before it was released, and the film had little trouble reaching theaters, Frankenstein was a different story. [236] New York, Pennsylvania, and Massachusetts removed the scene where the monster unintentionally drowns a little girl and lines that referenced Dr. Frankenstein's God complex. [237] Kansas, in particular, objected to the film. The state's censor board requested the cutting of 32 scenes, which if removed, would have halved the length of the film. [230] Female protagonists in aggressively sexual vice films were usually of two general kinds: the bad girl or the fallen woman. [184] In so-called "bad girl pictures", female characters profited from promiscuity and immoral behavior. [185] Jean Harlow, an actress who was by all reports a lighthearted, kind person offscreen, frequently played bad girl characters and dubbed them "sex vultures". [186] Common law power to stop or prevent a Breach of the Peace - after arrest a person aged 18 or over may be brought before a justice of the peace court to show cause why they should not be bound over to keep the peace - not criminal proceedings. The central point of interest in The Blonde Captive (1931), a film which depicted a blonde woman abducted by a savage tribe of Aboriginal Australians, was not that she was kidnapped, but that she enjoys living among the tribe. [255] In Bird of Paradise (1932), a White American man ( Joel McCrea) enjoys a torrid affair with a Polynesian princess ( Dolores del Río). The film created a scandal when released due to a scene featuring del Río swimming naked. [257] Orson Welles said del Río represented the highest erotic ideal with her performance in the film. [258] Extending the power of arrest to all offences provides a constable with the ability to use that power to deal with any situation. However applying the necessity criteria requires the constable to examine and justify the reason or reasons why a person needs to be arrested or (as the case may be) further arrested, for an offence for the custody officer to decide whether to authorise their detention for that offence. See Note 2C

The arrested person must be informed that they have been arrested, even if this fact is obvious, and of the relevant circumstances of the arrest in relation to both the above elements. The custody officer must be informed of these matters on arrival at the police station. See paragraphs 2.9, 3.3 and Note 3 and Code C paragraph 3.4. (a) ‘Involvement in the commission of an offence’ The function of motion pictures is to ENTERTAIN. ... This we must keep before us at all times and we must realize constantly the fatality of ever permitting our concern with social values to lead us into the realm of propaganda ... the American motion picture ... owes no civic obligation greater than the honest presentment of clean entertainment and maintains that in supplying effective entertainment, free of propaganda, we serve a high and self-sufficing purpose. Social problem films [ edit ] whom the officer has reasonable grounds to suspect of being guilty of an offence which he or she has reasonable grounds for suspecting has been committed; Where the use of the Welsh Language is appropriate, a constable may provide the caution directly in Welsh in the following terms:e) to allow the prompt and effective investigation of the offence or of the conduct of the person in question. See Note 2E

new information coming to light after the arrangements were made indicates that from that time, voluntary attendance ceased to be a practicable alternative and the person’s arrest became necessary; and arrest would enable the special warning to be given in accordance with Code C paragraphs 10.10 and 10.11 when the suspect is found: In 1924, Hays introduced a set of recommendations dubbed "The Formula", which the studios were advised to heed, and asked filmmakers to describe to his office the plots of films they were planning. [10] The Supreme Court had already decided unanimously in 1915 in Mutual Film Corporation v. Industrial Commission of Ohio that free speech did not extend to motion pictures, [11] and while there had been token attempts to clean up the movies before, such as when the studios formed the National Association of the Motion Picture Industry (NAMPI) in 1916, little had come of the efforts. [12] Creation of the Code and its contents [ edit ] f) to prevent any prosecution for the offence from being hindered by the disappearance of the person in question.ii) when considering arrest in connection with the investigation of an indictable offence (see Note 6), there is a need: Bail Act 1976, section 7(3), arrest of person bailed to attend court who is suspected of breaching, or is believed likely to breach, any condition of bail to take them to court for bail to be re-considered;



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