Wythenshawe, South Manchester. 1985. The Dodds family once ruled Manchester's underworld; now the men are dead, leaving three generations of women trapped in a house haunted by violence, harbouring an unregistered baby and the ghost of a murdered lover. It was a close call, because we were having to decide between four wonderful and wildly different books – but in the end, to me, it was Tom Benn who was doing the boldest and richest thing, using an unflinching sympathy and a fascinatingly mutated version of the crime writer’s tool-kit to carry the reader into the intimate depths of a household of violence. It’s a disconcerting book, with its insistence that a family’s heart of darkness is still despite it all a heart, and I wouldn’t call it reassuring, yet it shows us that there are few places literature can’t take us, if the writer is brave enough, and gifted enough.‘ Novelist and screenwriter Tom Benn has been named winner of the 2022 Sunday Times Charlotte Aitken Young Writer of the Year Award for Oxblood, a novel that judge Oyinkan Braithwaite called a ‘bountiful, fearless work of literary art’, daringly exploring masculine violence and fractured female agency through the domestic lives of three generations of working-class women in 1980s Manchester. More than anything, I was enamoured with Benn's audacity: to tell this raw, violent, compassionate story; to use language in such a thrilling and fresh way; to explore the dark hearts of ordinary people, and to not look away when things get messy; to be, basically, this good' -- D W WILSON

And then there is Jan - the teenage tearaway running as fast as she can from her mother, her grandmother, and her own unnamed baby. Much of the story involved suspenseful activities, like people trying to kill or capture Vic. Despite not being a trained spy, Vic made use of the skills she did have to survive and even saved others. Once she got to Italy, I had a hard time putting the book down because I wanted to know what happened next (and the book had been enjoyable before that). What a voice Tom Benn has got, what a feel for character and place, and what an uncompromising approach he has to his subject and material. He’s gritty but totally empathetic, and inhabits his milieu of 1980s Manchester with total conviction and no attempt to soften the voices of his characters We were bowled over as a judging panel by Oxblood, and feel confident too that Tom is a talent who will grow and grow.‘ We are thrilled that Tom Benn has won this year’s Sunday Times Charlotte Aitken Young Writer of the Year Award. Oxblood is fiction at its most urgent and affecting, and readers will be hugely grateful to discover it as a result of this well-deserved accolade. The award carries terrific prestige and Waterstones are proud to partner with the Sunday Times to reach as many new readers as possible.‘ I received a free copy of this book from the publisher through NetGalley in exchange for an honest review.*Cheers. It couldn’t be more surreal and encouraging to win an award that has championed so many writers whose work means something to me. Tell us about your latest novel, Oxblood. It took eight years to write?

There are a few plot contrivances that I found problematic, most notably the preface, and the rather pat ending, but despite those I enjoyed the story and would gladly read more in the series. Over the course of a few days, the Dodds women must each confront the true legacy of the men who have defined their lives; and seize the opportunity to break the cycle for good. The Dodds family once ruled Manchester's underworld; now the men are dead, leaving three generations of women trapped in a house haunted by violence, harbouring an unregistered baby. The involvement of Franzen gives this entertaining translation of Brussig’s charming East German novel plenty of star quality. But you can see why the American was so keen to bring this superb slice of life behind the Berlin Wall to a wider audience. Written in 1999, each chapter from the point of view of teenager Michael, it is a pitch-perfect takedown of the totalitarian experience. A reminder that no matter the harshness of a situation, a community can still live with hope and humour. OxbloodAs much as I would like more on Italy, this is a thriller with a lot of action. It does a great job with characterization. Vic speaks and acts in a manner that the reader can understand why she might be called Vic instead of her full name of Victoria. You can imagine what Ian sounds like with his British accent. We do not spend a lot of time with her brother Gil, however, we do learn so much about him through Vic's eyes and memories. The reader can understand why they are so close and why Vic cannot stand by and wait for someone else to find and help her brother. But, she gets involved in something that is a lot more dangerous than she realizes. I love YA thrillers and strong female characters, so when I saw this on NetGalley, I knew I had to take a look and see what it was about. Train me. Put me to the test. If I fail miserably, you can send me home. But don't sentence me to a life of worry without at least giving me a chance. I know I can do this."