In the near future, a couple of performance artists push the boundaries of taste and decency with daring shows of mutilation and organ mutation. All the while a shadowy government agency is closing in on a terrorist group that are pushing for the next evolution in the human experience. The Heat and the Grime – A seven minute interview with Kristen Stewart. She talks about how Crimes of the Future feels like a self-reflection on Cronenberg’s career, as well as how the art in the film feels religious. It’s a really interesting interview.

Crimes of the Future is an interesting film, because while I adore a lot of the technical aspects, whether it’s the purposely flat cinematography, Howard Shore’s incredibly futuristic score or the performances all around, the disconnect I feel while watching always leaves me feeling cold. I’m sure it’s intentionally presented this way, but I found myself a little underwhelmed, even on my second viewing of the film, even though my thoughts on it are mostly positive. The film’s style and themes are all interesting, but I didn’t really connect with much of what was going on. Fleming, Mike Jr. (April 29, 2021). "David Cronenberg Sets Viggo Mortensen, Léa Seydoux, Kristen Stewart For 'Crimes Of The Future;' NEON, Serendipity Point Firm Summer Start In Greece". Deadline Hollywood. Archived from the original on April 29, 2021 . Retrieved April 29, 2021. tasty morsels of info that would have been much better served expanded upon in a full director's commentary. Still worth a watch. Just made Rooney, David (May 23, 2022). "Viggo Mortensen and Léa Seydoux in David Cronenberg's 'Crimes of the Future': Film Review | Cannes 2022". The Hollywood Reporter . Retrieved May 23, 2022.

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HD muscle. Make no mistake, the 4K release of Crimes of the Future is hands down the version to watch, particularly when viewed in a properly Location Profile—Take a trip to the exotic Dominican Republic movie location and find out how the crew dealt with heavy rain and mosquitos! lot... at least at first glance. While an early 1970 David Cronenberg film of the same name is included (and stands as the highlight of the special Neglia, Matt (December 14, 2022). "The 2022 Florida Film Critics Circle (FFCC) Nominations". Next Best Picture . Retrieved December 15, 2022. Animated Renders (HD, 5 minutes) - Three early animated renders are included for the Sark (with Arm Movement

baffling as the imagery and violence but it occasionally feels as if they're privy to information concealed from the audience. Normally I'd praise suchInterviews (HD, 14 minutes) - Individual interviews with Viggo Mortensen, Lea Seydoux and Kristen Stewart. There were Things Change – A nine minute interview with Viggo Mortensen where he touches on the production, how comfortable he felt collaborating with Cronenberg once again and how open to new ideas David was. Viggo mentions that the screenplay was written over 20 years ago. Tenser struggles to eat in his chair. He asks Caprice to give him a bar of plastic. As Caprice records him, he eats it, looks into Caprice's camera, and sheds a tear. His mouth twitches into a smile as the chair finally quiets. Harris, Dana; Dunkley, Cathy (May 20, 2002). "Cronenberg, Lantos king of 'Pain' ". Variety . Retrieved May 20, 2002. Audio commentary by Caelum Vatnsdal – This brand new audio commentary, exclusive to Second Sight’s release is by Caelum Vatnsdal, an author and historian of Canadian cinema and Cronenberg’s work. Vatnsdal’s commentary is decent, although it does feel like he’s narrating what’s on screen at points. I enjoyed hearing some of the more technical aspects of the commentary, such as how the machines used in the film are primarily CGI. Not a mind-blowing commentary, but for fans of the film, there’s some good stuff in here.