Not exactly spoilers in this review, but general outline of the plot (so you might want to avoid it!)

I know about drugs: with what they were using, the ONLY way was down, and fast (ie: dead). It didn’t make sense that Linda let the girls use so much; she could have been FAR more controlling with it—and it seems like she would have been. With opiate addiction comes withdrawal—hand-in-hand: we didn’t see much of that. Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives. If you don’t have a problem with the context of the story, it is a very interesting read and very, very well written. Aside for a few things, I wish Miss Lewis had stayed with the world. I think she would have given a voice to many like her. Sex, drugs, abuse—yes, that’s the darker side of the horse industry—any walk of life to be honest. We choose what we want to be a part of, even if you have had a life that created the spiral. The key element is what choice to you want to make. And that is where House Rules gets it. The main character starts to realize where she is, what is going on and the ending, which if this is a real experience, I’ve never heard of this happening, comes to a very real and sobering reality. I wish we hadn't lost touch in the madness of our early twenties, but that's what that age is all about - breaking free and realizing your own self.

House rules

Access-restricted-item true Addeddate 2021-01-11 05:01:42 Boxid IA40031909 Camera USB PTP Class Camera Collection_set printdisabled External-identifier Although the book is powerfully honest and brutal I had problems more with the writing and character development. I suppose it just takes time to get used to how Heather Lewis wrote her novels. I admire the way she laid Lee's emotions and entire life bare for the reader to witness. It's just at the end of the book I didn't really feel like I knew Lee at all. And the entire world of show horses is completely unknown to me. I understand Lewis knew about it well and she certainly was able to show that through her words. I just wasn't able to picture any of the scenes in my head that contained the horses, which was a important thing to Lee. While I had sympathy for Lee (did anyone ever figure out she was only 15?), I didn’t really understand her motivations. I know two or three (now grown) women whose fathers “interfered” with them in ways in which they will never recover: none of them were quite as damaged as anyone in the book. I think the part I find troublesome is the graphic sex—which is not about passion, but about pain. I understand why this was introduced, but after awhile, it does get old—and I would feel the same about heterosexual sex. To me, I always found sex in a book to be a filler when someone’s main story wasn’t strong enough. In this story, yes, it has purpose, but the extensive way it’s described over and over again, you sort of start to say ‘ok, is this it?’ In the beginning, it’s purpose was highlighted, but as we progress in the story, it just starts to work like a broken record. Obviously these incidents impacted on the writer, who wrote this obviously from experience. But, I feel it was to hide a greater feeling and emotion and story. Which is a shame. My experience with hunters & jumpers is entirely second hand. My world was sailing; but both riding and yachting satisfy some of our highest aspirations, demanding skill, intense competitiveness, dedication, physical endurance, & courage in the face of danger. In both we adapt to the demands of beautiful, unpredictable, & often expensive, @ the top echelon extremely expensive indeed, partners - horses or yachts. Which makes riding and sailing traditional pursuits for the rich. But by no means exclusively. Horses need riders & yachts need crew & both require a lot of maintenance & there are many young people in particular who would offer their whole lives to riding or to sailing - whose entire net wealth fits into a duffle bag. If that choice of life ever appealed when you were young (I’m gazing wistfully @ my old yellow seabag), you’ll find you share a lot with Lee.

NOTE: I didn’t include any plot spoilers, but if you’re a “less I know the better” kind of reader, I would wait to read any further.** Lccn 95069748 Ocr_converted abbyy-to-hocr 1.1.20 Ocr_module_version 0.0.17 Openlibrary OL819130M Openlibrary_edition urn:lcp:houserules000lewi:epub:7ff4901d-899e-42b1-9dba-6bdb829b3705 Extramarc Columbia University Libraries Foldoutcount 0 Identifier houserules000lewi Identifier-ark ark:/13960/t81k0jc73 Isbn 9781852424138A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

urn:oclc:37246883 Scandate 20111208100831 Scanner scribe5.shenzhen.archive.org Scanningcenter shenzhen Worldcat (source edition) Lewis's third and final novel, published posthumously, is as dark and gritty as her 1994 debut, House Rules The abuse of the riders is mirrored by the abuse of the horses, which gets more upsetting until the climax when everything comes to a head, and probably the last bit of comfort for the main characters gets destroyed. Her writing style encompasses everything I love and revere in a writer - a simple, heartfelt honesty that is the hardest thing to achieve.An out lesbian, [6] her works explore aspects of American culture, such as the connections between power, drugs, sex, violence, love and justice. [3]

Lee always rode for the Cheslers, an old-money family who specializes in hunters. However, it's evident that Lee has always harbored a crush on Tory Markham, a woman who rides for the fast and dangerous pair, Carl and Linda Rusker. Lee finds the world of show-jumping more interesting than the hunters, giving readers impressions that hunter-jumping is stagnant even if there is a steady income. This book is incredibly hard to get through not just because of the graphic violence and abuse, but because of the very real emotional fallout of the abuse. The main character, Lee, not only suffers brutal abuse from the adults who are supposed to protect her (many of them are also enabling it) but her narration reveals that she feels like it’s something about HER, that it’s her fault, which is gut wrenching. In the early 80's we were coworkers, neighbors, and cohorts. I would have loved to have seen a book by her about those times, as she could clearly speak of them better than I could. It would've been an amazing trip down memory lane of a time when she, my girlfriend and myself were the oddest kids in the sleepy little town of Mt. Kisco, NY. Hi may have to to write it myself. As Aristotle pointed out long ago, we enjoy good representations in fiction of things we would not enjoy at all in real life, whether Oedipus stabbing himself in the eyeballs, or in Lee’s case, what it would feel like to mount a horse after being fisted. I cannot imagine wanting to be a bottom, but can see in being a sexual passive a form of misplaced spirituality, a wrong turn in the path to what Ignatius designated as the third level of humility - perfect identification with Jesus’ suffering. But tho’ some of the blurb descriptions of this book make it sound like a work of Lesbian S/M erotica, I did not find that @ all. The sex scenes seemed more descriptions of extreme unarmed combat or OTT hazing @ a very bad fraternity or military school. The very heavy drug use in the novel represents a Dionysiac spirituality, as in Donna Tartt’s The Secret History. (I’d known from my hospital experience the Dilaudid was the good stuff, but now I know why & that you can use it to control both horses & riders.) Like some other favorite characters, Lee is both extremely tough and very vulnerable. She doesn’t know how to recognize or repay generosity, yet she has an enormous capacity to endure abuse while retaining her personal dignity. Ocr tesseract 4.1.1 Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.9701 Ocr_module_version 0.0.10 Ocr_parameters -l eng Old_pallet IA-NS-2000168 Openlibrary_editionIt's a really dark, lonely sort of book. I don't know how to explain what I mean. It just left me sort of lost- but her writing was really good. The fact that nobody has any deeper biographical information from her.. It's like she's faded away from history. It took me a long time to find out what I know about her, from bits and pieces. Nobody else seems to think about her anymore. She was the author of three published novels. The first, House Rules (1994), details the experiences of a fifteen-year-old girl working as a show rider of horses—an experience the author herself had in her teenage years. [1] [3] The novel won the 1995 Ferro-Grumley Award for Lesbian Fiction. [4] Lewis's second novel, The Second Suspect (1998), follows the struggles of a female police investigator trying to prove the guilt of a powerful and influential businessman responsible for the rape and murder of several young women. The third, posthumously published novel, Notice (2004), describes the experiences of a young prostitute, Nina and her involvement with a sadist and his wife. [3] Lewis' former teacher, Allan Gurganus wrote an afterword for Notice. [5] The book is essentially a re-writing of The Second Suspect from the point of view of one of the victims.