It’s great appeal lies in the fact that while there are elements of the fantastical – the title speaks to the eponymous young protagonist’s ability to divine the soul and future life course of a person simply by touching them – and the expansively imaginative, it is also content to spend much time as needed with its characters, allowing them to tell their story without hurry or interruption and with full emotional effect. His gradual realisation that he is not only gifted with the abilities beyond those of normal people – not only can he sense inner thoughts and future events but he’s prodigiously intelligent – but that he is different too in those to whom he is sexually attracted to is handled as poetically and intimately as everything else in The Second Sight of Zachary Cloudsley which even in its darkest moments sings with prose full to bursting with a love of words and the mellifluous sound they make as much as the beautifully enrapturing stories they set in train. This gathering together of disparate souls, which also includes Abel’s aunt-in-law, Frances, who’s a rich, feisty independently minded woman who delights in challenging convention, is what gives The Second Sight of Zachary Cloudsley its sizably moving beating heart.

Zachary is a gifted, brilliant little boy, the kind of child who will read anything he can find and probably remember most of it. The publicity for the story reveals that Zachary later loses the sight in one eye and develops a kind of clairvoyance, although he never seems quite certain what is true or not.Abel is devoted to Zachary but doesn’t understand him at all. His unusual young apprentice, Tom, tries to explain the boy in a language Abel will understand. Zachary begins to experience visions, a sense of what the future holds, and the uneasy and troubling gift of knowing the darkness residing within others, their regrets, hopes and their machinations. Abel finds himself with little choice but to travel to Constantinople but Zachary can feel the betrayal, fear and danger that awaits his father. As communications from father to son begin to cease and years pass, Zachary sets off to follow his father's journey to Constaninople, determined to find him despite the rumours of his death, as he strives to make sense of his visions. Will he succeed in finding his father? Lusk's world building is terrific, there is a wide and disparate stellar cast of distinct characters that include the eccentric Aunt Frances with her menagerie, and the courageous apprentice Tom with his own secrets. At that moment, we know something is unusual. Newborns aren’t known for fixing anything or anybody with a penetrating gaze. Abel is so overcome with grief, that it falls to Alice’s maid, Kate, to locate a wet nurse who has a tiny daughter of her own. Mrs Morley and Leonora become major characters and remain in Zachary’s life for many years.

Editor Eloisa Clegg acquired UK and Commonwealth rights from David Headley at DHH. Publication is slated for summer 2022. It is unusual yet totally captivating with an interesting plot and good pacing. All the characters were intriguing and although the main focus is on Zachary Cloudesley and his father Abel the side characters also had such intetesting and different tales to tell and yet their lives were inextricably linked.Clegg said: "This is a rich, detailed and vibrant tale of a young man finding himself. It has everything you would want: wonderfully realised descriptions, unforgettable characters and a storyline that encompasses the essence of that human yearning for love and acceptance. And with a dash of magical realism, it is original, complex, funny and thoroughly immersive. I cannot wait for readers to fall in love with Zachary Cloudesley."