MB: I think a lot of artists struggle with self-worth, so it’s an easy thing to project on our characters. I also think the idea of empathy as an important and valuable quality is something that is (thankfully) becoming more popular in fiction. MB: In terms of pacing, I think the reason it works well is that we wrote it with a 90-minute movie format in mind. The human brain is very fond of the 90-minute runtime, it feels like a full meal without overstaying its welcome. MB: Oh wow…I feel like the Genie when Aladdin asks him what he’d wish for. Uhhhh let me think…free space question….free space question… TG: I also have to ask about the ending, which seems to take place after the time skip while hinting that a new portal or similar device has been cooked up at the lab. Is this a ‘never say never’ situation when it comes to returning to Amphibia?

MB: I have never played COD: Advanced Warfare, so unfortunately that’s a no. (editor's note: both characters are played by Troy Baker, so it’s a wild coincidence to dismember both.)Matt Braly: I really enjoyed Sonic Frontiers. I’m not a fan of the screamo music during bosses, but nearly every other aspect was a gas to me. And as someone who also tried to drop a moon on our heroes in the third act, I especially liked the secret final boss.

MB: Pretty much! The journal does not commit to the girls returning to Amphibia but allows for the possibility of a reunion…or at least for the idea that the girls would get to finally pass messages to their friends on the other side. It’s whatever you want it to be. TG: When it comes to the third season, from both a narrative and character perspective, do you feel like you achieved everything you wanted when it comes to wrapping things up for Amphibia?MB: The diary format really let us go wild with the characters’ inner thoughts in ways that would not have been appropriate on screen. For a show, rambly dialogue and inner monologues are big no nos…but for a book like this it’s extremely natural. The answer is simple… Anne wanted the last thing she saw to be her friends smiling and laughing. Hence, she goes for the joke. Classic Anne!

For example, the space battle in The Hardest Thing is such a powerful moment for Anne, Sasha, and Marcy because it’s their last dance together. Even though the sequence is unquestionably triumphant and joyous, there is something beautifully sad underneath the surface as well. The real gift of the adventure was to let the three of them fully understand one another and see each other truly for the first time…which in turn lets them bravely go their separate ways. TG: There are also so many references in that final episode from Zelda to Gunbuster. It is so damn excessive and so brilliant, even if they’d go over the heads of some viewers. What are some of your favourites? Also, is Captain Grime losing his arm a reference to Call of Duty: Advanced Warfare?

TG: It’s also surprisingly dark when you take away the fact Marcy is a zoomer weeaboo and Anne is a lovable dork, with a deeper glimpse into mental health and personal introspection than I could have expected. Was there fun material here you could delve into that the show couldn’t offer? TheGamer: Before we delve into Amphibia, I’d love to ask what you thought about Sonic Frontiers, and what sort of other things you’ve been working on/enjoying lately? Amphibia was so delicious to write because even though there are incredibly high stakes and world threatening villains, it’s ultimately about strong personal relationships between the characters. The fate of the universe feels equally important to the fate of this friendship. We seeded that question very early in the audience as well so for three seasons viewers have been wondering just what is going to happen with these friends??? Plus, from my point of view, the ending is very sweet! Seeing Anne, Sasha, and Marcy reunite after all those years never fails to melt my heart. TG: Time skips are often controversial, but I also love them and was so happy to see The Owl House follow in similar footsteps to Amphibia. When it came to depicting Anne, Sasha, and Marcy as older women after such a long passage of time did that come with any particular pressure?