COSEY FANNI TUTTI' - PUSSY GOT THE CREAM' film. Commissioned and shown at the 'Taboo Festival of Eroticism', 6th March, Zap Club, Brighton, UK At its very core, Art Sex Music is a book solely about relationships. Tutti takes us through her childhood which is far from serene as she is raised by a distant and sometimes abusive father. Her rebellious nature is nurtured by the sixties counter-culture. Music and recreational drug use help to open Tutti’s mind up to the possibility that there is a better life for her outside of the suffocating walls of her home. Upon meeting P-Orridge, Tutti’s path is set as she leaves home and begins to explore deeper her desire to create art. What starts as mail-art and performance pieces soon turns darker as Cosey begins to explore the world of adult magazines and the pornography industry. Make no mistake, nothing here is about cheap titillation and the situations Cosey put herself in whilst studying this industry is often very tense and unsettling as whilst she explains in perfect detail why she did what she did and what purpose it was serving you worry about her (Tutti’s writing style is so relaxed and matter-of-fact that you feel yourself developing a bond with the narrator on a deeper level than just admirer/reader). There are moments where events get particularly tense which can twist your gut. The relationship between Tutti and her own body is the core of the earlier sections of the book and obviously this is the highlighted Sex aspect of the books title. COSEY FANNI TUTTI - Magazine action - Premier Studios, Whitechapel Road, London, UK ( July 9 - July 14). COSEY FANNI TUTTI - Magazine action - photo shoot with Szabo - later used for Journal of Sex, Leg Show, Partner, Rustler, Sadie Stern.

Art Sex Music (Faber Greatest Hits) by Cosey Fanni Tutti | Faber

COUM - 'Arte Inglese Oggi 1960 - 1976’, Milan Italy. 'Towards the Crystal Bowl', Galleria Victor Emanuelle, Milan, ITALY. COSEY FANNI TUTTI - Solo audio/visual performance in the Turbine Hall at Tate Modern 10th Birthday weekend. London. UK. Saturday 15th May.|Sep 25 COSEY FANNI TUTTI - ‘In Conversation’ with Andrew Weatherall. - Festival Number 6, Portmeirion. UK Aug 17 COSEY FANNI TUTTI - Re-Sisters Book Launch Event - In conversation with Maxine Peake, Audience Q&A and Book Signing. ICA, London | LINK COSEY FANNI TUTTI - ‘In Conversation’ with Catherine Wood - Tate Modern Symposium Oct 6th. London UK The box will be supplied wrapped in kraft paper with a label, numbered by hand to match the number of the book in the series. COSEY FANNI TUTTI -'IN CONVERSATION' with artist Andre Stitt, Courtauld Institute of Art, London. UK

COSEY FANNI TUTTI COSEY FANNI TUTTI

COSEY FANNI TUTTI - Magazine action audition: with Derek Ford. Job with Brett, Lisa, Rosemary, IrishJoanne, UK Dispatches from the Herstory of electronic music – the book Re-sisters tells the life story of Delia Derbyshire (1937-2001) , a British pioneer of electronic music.COSEY FANNI TUTTI - received a Bachelor of Arts, First-Class Honours Degree and was conferred at Ely Cathedral in Cambridgeshire, England.

Art Sex Music by Cosey Fanni Tutti | Waterstones

Cosey Fanni Tutti is, it is safe to say, someone who has lived a thousand lives. Through her various works she has pioneered the use of ones own body as art, helped create and entire genre of music whose influence is still resonating to this very day, and has been a powerful force for change towards the general perception of female artists. The USA has Yoko, we have Cosey. COSEY FANNI TUTTI - Lecture/presentation on multi-disciplinary practice at the University for the Creative Arts, Farnham. UK Re-sisters is the story of three women consumed by their passion for life, a passion they expressed through music, art and lifestyle; they were undaunted by the consequences they faced in pursuit of enriching their lives, and fiercely challenged the societal and cultural norms of their time. COSEY FANNI TUTTI - SUCH IS LIFE' Performance at 'Violent Silence Festival', Bloomsbury Theatre, London, UK (celebrating the life and times of Georges Bataille). COSEY FANNI TUTTI - Lecture 'Confession and Interrelated Works' at Hull Critical Platform Seminar, School for Media Technologies, October 6th, Hull, UKAnd while Re-Sisters has the air of a book urged on by a publisher, Tutti has proved to be as fearless, knowledgable and incisive a writer of words as she has been a left-field experimental artist. Still, Re-Sisters still could have used a haircut, trimming the diarist accounts of train and car journeys, avoiding some of the repetition that drives Tutti’s point home perhaps a few times too many. Art Sex Music is a brutally honest read, no stone left un-turned. Aided by her diaries Tutti takes us through her life from her birth and upbringing in Kingston upon Hull during the fifties and sixties, to her meeting with Genesis Breyer P-Orridge and subsequent work with the once notorious now celebrated COUM Transmissions performance and mail art collective, through the forming, disbanding, and reformation of Throbbing Gristle, right up to the present day. Cosey is an artist, a partner, a mother and every section of her life is described in unflinching detail making Art Sex Music an enjoyable, uplifting, sometimes unbearably raw read. In between reading up on Derbyshire, Tutti also began researching Kempe, who, burned out after giving birth to 14 children, vowed to live chastely with her husband and devote her life to God, and embarked on hazardous solo pilgrimages to Jerusalem and Santiago de Compostela. “These were women struggling to be themselves and find their place in the world, and who did not give up whatever life threw at them,” Tutti says. “What links all three of us is that we didn’t want to submit to what was laid out for us. We wanted to find a way out.” Given Tutti’s extraordinary life, and her impact on art and music, it’s little wonder there is a film of her life in the works. Based on her memoir, it will be directed by Andrew Hulme, who made 2018’s The Devil Outside, about a Christian teenager’s crisis of faith. When I ask Tutti who is playing her, she smiles and shakes her head emphatically: “No, no, no, I can’t tell you. But I love her, she’s great.” She has been closely involved in the script development and says that watching the casting process moved her to tears. “Because you kind of relive it,” she says, “but through someone else who seems to fully understand the feelings going on behind the words they’ve been given.” Delia Derbyshire is best known for arranging the original Dr. Who theme music, although she only received proper credit for it 50 years later. Biographer Cosey Fanni Tutti , an experimental musician herself, talked to Derbyshire’s former collaborators, friends, colleagues, and fellow wayfarers in life, even working with archival materials, to reconstruct her life story.