Schurr, Amanda (contrib.) (15 January 2016). "David Bowie, Actor, 1947-2016". Paste. Archived from the original on 4 December 2020 . Retrieved 22 July 2021. a b c "Labyrinth Production Notes". Astrolog.org. Archived from the original on 3 February 1999 . Retrieved 5 January 2020.

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Byrnes, Paul (11 December 1986). "Babysitting with goblins". The Sydney Morning Herald. p.16. Archived from the original on 14 August 2020 . Retrieved 14 August 2020– via Newspapers.com.

Radish, Christina (1 February 2021). "Jennifer Connelly on 'Snowpiercer' Season 2 and Why 'Labyrinth' Is Still "Really Special" to Her". Collider. Archived from the original on 1 February 2021 . Retrieved 8 October 2021. Smith, Trisha; Riccio, Jon (20 March 2015). "Fairy-Tale Files: The Labyrinth Edition". Fairy Tale Review. Wayne State University Press. Archived from the original on 5 March 2016 . Retrieved 11 January 2020. Sauter, Michael (June 1986). "Playing Hooky". Elle. Archived from the original on 30 July 2012 . Retrieved 28 January 2012. In one scene from the book, Sarah remembers celebrating her 15 thbirthday with Jeremy and her mother. The novelisation describes them giggling poolside at Jeremy’s members’ club before receiving his gift of “an evening gown in pale blue” (her mother gets her a music box, so the evening gown is a Jeremy-only deal). Sarah wears the dress that night to a musical, after which Jeremy takes them all to a dimly lit restaurant: Slyt, Demetria (21 November 2021). "Babe With The Power". University Wire. Uloop, Inc. ProQuest 2591788857.

Labyrinth Costume Sarah - Etsy

Asher-Perrin, Emmet (27 June 2011). "Don Your Tights, Glitter and Goblin Horns — It's Labyrinth Day!". Tor.com. Archived from the original on 24 March 2016 . Retrieved 26 April 2021. Melis, Matt; Caffrey, Dan (26 June 2016). "What's Better? The Dark Crystal vs. Labyrinth". Consequence. Archived from the original on 23 April 2021 . Retrieved 16 June 2021. Andrian, Andy (16 November 2018). "Son parcours, sa maladie... Les secrets de Charlotte Valandrey"[Her journey, her illness ... The secrets of Charlotte Valandrey]. Linternaute.com (in French). CCM Benchmark Group. Archived from the original on 20 November 2018 . Retrieved 7 April 2020. Sarah has garnered a more positive reception in decades since Labyrinth's release. Heather Roche of the Times Colonist wrote that the character's "perseverance in solving the labyrinth is inspiring, and sends a great message to any viewers." [129] Several commentators have considered Sarah to be an identifiable protagonist to teenagers because of her strong emotions and familial woes, [130] [131] as well as being relatable to children who spend a lot of time in their imaginations. [64] [132] Zaki Hasan of Fandor wrote favourably of Sarah as "an intelligent young woman, neither portrayed in stereotypical terms nor baselessly sexualized," who "never loses her agency, even as sinister forces conspire to keep her from her goal." [133] Describing the character as a "hormonal hurricane ... bratty and forthright but impossibly likeable", Josh Winning of Total Film wrote, "In-between her numerous rants of "It's not fair!", Sarah's brash sensibilities mean she's at least clever enough not to act intimidated by the Goblin King even if her insides are shuddering ... Not only that, but she defeats her foe by using her brains, and doesn't rely on Prince Charming to come to her rescue." [134] Writing for The Odyssey, Julia Kell praised Sarah's complexity and character growth, writing that her bravery and perseverance are "incredibly inspiring to see in a young girl." [135] In a 2012 retrospective of Labyrinth, Vulture's Rebecca Milzoff found it "refreshing ... how Labyrinth offer[s] up a different kind of heroine than the Disney princess movies", as Sarah's goal is not to fall in love or find a husband. [136] Contrasting Labyrinth to contemporary 1980s films about teenagers, Sarah Monette of Uncanny Magazine found Sarah's character offers teenage girls the "vanishingly rare" message that "it's okay not to want the sexualized, exaggeratedly feminine version of adulthood represented by [Sarah's] ridiculous white dress" and that having a boyfriend "is not a victory condition" nor essential to growing up. [114]

Perry, Anne (11 January 2016). "Labyrinth: An Appreciation". Hodderscape. Hodder & Stoughton. Archived from the original on 12 February 2017 . Retrieved 6 September 2019.

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a b The Jim Henson Company (2016) [Production notes first published 1986]. "Jennifer Connelly (Original 1986 Bio)". Labyrinth (30th Anniversary Edition) ( Blu-ray booklet). Sony Pictures Home Entertainment. p.12. Perry, Anne (11 January 2016). "Labyrinth: An Appreciation". Hodderscape. Archived from the original on 12 February 2017 . Retrieved 6 September 2019. Attanasio, Paul (27 June 1986). " 'Labyrinth': Lost in a Maze". The Washington Post. p.D11. ISSN 0190-8286. ProQuest 138816272.Mini Epics: Sarah". Weta Workshop. Archived from the original on 27 July 2021 . Retrieved 27 July 2021. Alexander, Ella (20 June 2016). "Labyrinth turns 30: 16 reasons it's the best film ever". Glamour . Retrieved 6 September 2019.