Richard Corliss noted that the film appeared to have been influenced by The Wizard of Oz and the works of Maurice Sendak, writing that, " Labyrinth lures a modern Dorothy Gale out of the drab Kansas of real life into a land where the wild things are".

Jim Henson’s Labyrinth With New Learn About the Creatures in Jim Henson’s Labyrinth With New

She sees her friends in the mirror and admits that, even though she has grown up, she still needs them in her life, whereupon the labyrinth characters appear in her room for a raucous reunion party, hugging each other in joy.Labyrinth: Coronation is not official canon to the film, [3] but, according to Spurrier, aims "to tread the tightrope between adoring fanfic[tion] and bolshy iconoclasm. The script "went away for about a year," Jones says in the book "Life Before and After Monty Python — The Solo Flights of the Flying Circus," adding: "When the script came back, I didn't recognize any of it. Members of Henson's family also worked on the production, including son Brian (the voice and chief puppeteer for Hoggle) and daughter Cheryl (who assisted on one of the Fireys and is also credited for building the characters). The production of Labyrinth was covered in multiple high-profile magazines and newspapers, in anticipation of its release, with articles appearing in The New York Times, Time, and Starlog magazines. In the extensive junkyard scene, Jareth operates the Junk Lady as a puppet, whereas, in the film, she is autonomous.

Labyrinth: Coronation - Wikipedia Labyrinth: Coronation - Wikipedia

In the final issue, Maria makes it to the castle, where we see that the Owl King had no intention of making baby Jareth his heir. It goes behind the scenes to show what Jareth was up to while Sarah was arguing with door knockers and getting down with the Fireys.So that’s the story of the first time a wish was made to the Goblins and a baby boy was taken to the Labyrinth, and now we know Jareth’s full name: he’s the Lord Jareth Tyton, Goblin King. Neilson-Adams wrote that Bayliss "nail[s] the distinctive visual style we all closely associate with the movie, adding a real sense of scale to some of the wider shots, and throwing in some fantastic character designs".