The original C300 was supplied in either EF or PL configurations but the new Canon C300 Mk II goes one better by making the lens mount interchangeable (VMI Workshop service only). This means that you have a choice compatibility not only with Canon’s existing broad range of DSLR lenses and EF-mount CN-E cinema prime and zoom lenses but also (with suitable lens adapters), also Nikon ZF and other DSLR lenses too. The PL mount permits conventional film zoom and prime lenses to be used and B4 mount adapters available from VMI also permit the full choice of electronic HD zooms and Primes as well. Colour performance improved with new sensor and DIGIC DV 5 Image Processor There’s no denying the breathtaking quality of the Hisense L9G, but it’s a projector that takes a commitment to make sense for would-be buyers. It’s definitely less of a commitment than a 100-inch TV, though, as even the affordable models are multiple times the price of the L9G. If you’re not sure where to start with choosing your cheap camera, don’t worry. We’ve included the key specs for each model to make it simpler to compare them – and there are a few questions you can ask yourself before you start looking that will make things easier. The removable audio module provides two XLR audio inputs with +48V phantom power. A 3.5mm microphone terminal is also built in to the camera. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Both XLR inputs, as well as the mic terminal have the option for automatic, as well as full manual gain control (-Infinity to +18dB). Additionally, a 3.5mm headphone terminal with 16 volume settings offers accurate audio monitoring. The audio module also holds the LCD monitor, which can be repositioned in a variety of places to suit the operator. CF Memory Card Recording Metering: 384-zone metering with Evaluative metering (linked to All AF points), Partial metering (approx. 6.1% of viewfinder at centre), Spot metering: Centre spot metering (approx. 3.1% viewfinder at centre), Centre weighted average metering

Sensitivity: Video: ISO 80-102,400 expandable ISO 40-409,600. ISO base in S-Log is ISO 640 but it can be expanded down to ISO 160. Stills: ISO 80-102,400 expandable 40-409,600 You should look at the resolution of your sensor, which is measured in megapixels (MP). You might think you want as many of these as possible, but this is really only the case if you’re planning to print images, where as many pixels are required as possible. If you only want to share images on social media, then all those pixels will only clog up your cards and hard drives. Viewfinder: 0.5 inch 5.76 million-dot OLED Color Viewfinder with 100% coverage Eyepoint: approx. 24mm Diopter adjustment: -5~+3m-1 Magnification: 0.8× with 50mm lens Maximum continuous shooting rate: 20fps for up to 1000+ raw (high efficiency) files or 685 raw (high efficiency *) files, 30fps for up to 1000+ normal-quality Jpegs, or 120fps normal-quality 11Mp JpegsLasers are better still, with a similar lifespan to LED but much better brightness. However, they generally cost more too. LEDs tend to be a little brighter and a lot more accurate, and they don't generate the same amount of heat so they last much longer – typically 20,000 hours of viewing. LED projectors can be made much smaller than lamp-powered ones.

Spec sheets can only tell you half the story. That’s why we take every 4K camera out into the real world, to see how it fares in the kind of shooting conditions that most users will encounter. at 120fps is amazing, but can the camera actually cope? What’s the mb/s at 4K? Is there enough scope to capture decent footage? Interestingly, Canon has also opted to omit in-body image stabilization, something that rivals Sony and Nikon offer in their full-frame mirrorless cameras. Canon's argument is that it's better to tailor the IS to a specific lens rather than a one-size-fits-all approach, which would also mean a larger camera footprint. That said, two of those new RF lens don't feature any form of image stabilization at all. Many new 4K projectors these days come with ultra short throw technology, which vastly reduces the distance needed between the projector and the wall or screen surface it's projecting onto.There’s no rule that it has to go on a TV stand. There are plenty of reasons not to use the feet that come in the box and instead take advantage of your wall space. Mounting your telly lets you change the angle of the screen, gives you more room for furniture and, as the set is less likely to topple over, it’s safer for kids too. Four new RF lenses are being launched alongside the EOS R: the RF 24-105mm f/4L IS USM, RF 28-70mm f/2L USM, RF 50mm f/1.2L USM and RF 35mm f/1.8 IS STM Macro. We test the best 4K projectors in real-world conditions, viewing with both room lighting on and lights off to get a sense of how well the projector performs under a range of conditions. All of our viewing is done using a projection screen, either a matt white material or an ambient light-rejecting screen in the case of ultra short throw projectors. Approachability is key for mainstream acceptance of any new product, and Samsung has nailed this aspect with The Freestyle. Simply put, any projector which is ready to go within minutes of being taken out of the box is a triumph of design and engineering, and should be celebrated. Even with the Canon EOS R3 stealing its position, the Canon EOS R5 is still a remarkable camera, serving as the flagship mirrorless camera for Canon. It was without a doubt the most exciting camera of 2020, boasting impressive features.